DAVID CHEN
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In postmodern society, sensory indulgence reigns supreme, exerting a profound influence on human nature. Anthony Giddens, in his sociological work "The Transformation of Intimacy," subtitled it: "— Sexuality, Love, and Eroticism in Modern Societies." "Eroticism," in English, represents in the original text. Giddens employs the concept of Eroticism to vividly illustrate how modern individuals heavily rely on pathways of desire born from sensory experiences.
In today's postmodern era, the notion of "aesthetic appreciation" no longer solely resides in the spiritual realm as seen in classical aesthetics. Instead, it predominantly encompasses the pleasure derived from surface beauty, leading to sexual enticement. The distance between aesthetic appreciation and erotic desire can be broken in an instant, as one is seduced by the allure of the other's beauty and harbors a desire for possession.
A more accurate concept for "love" is "erotic desire." In the intimate relationships of erotic desire, aesthetics wield the most direct influence. While not purely based on profound aesthetic appreciation, it remains intricately linked to the complex psyche of the individuals involved. Aesthetic appreciation goes beyond mere allure, also encompassing the awakening of a mysterious mental resonance: a destined type of match that triggers aesthetic effects.  Eroticism 愛-欲 Acrylic on canvas 152cm x 122cm |